Mitchell (b. 1976, Tāmaki Makaurau/Auckland, NZ) is interested in how different forms of knowledge can intersect across the visible and the intangible. His practice speculates on the limits of material and explores systems of knowledge or belief and people’s experiences of them. Dealing with the way things transform or transmit and the presence of material forces and the unseen, his work transmutes invisible phenomena into tangible forms as sculptural objects and images, connecting the sensual and the cognisant, and teasing out the potential for objects and ideas to appear and disappear.