Cameron Kletke,, 'you feel soft', (still), 2022. © Cameron Kletke and Animate Materials Workshop.
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More Details
govettbrewster.comBring your sketchpads for an afternoon of drawing – pencils are provided. With sessions roaming throughout the gallery, explore various graphite tools for mark making.
This drawing session is hosted in conjunction with the launch of Graphite: Animated Traces.
Book synopsis:
Graphite: Animated Traces profiles the material and cultural history of graphite as a creative medium, with close attention to its important role in contemporary art and animation. Animation scholar Alla Gadassik teases out the medium’s temperament and significance by turning to the unfolding and provisional status of the drawn moving image, considering graphite as a medium of emergent thought, contemplation, tender intimacy and impermanence. What ways of knowing does graphite enable as a drawing medium? How does animating with graphite – making moving images through extended and repetitive acts of drawing – allow us to understand the world differently? Responding with vivid analysis of pencil drawings by celebrated artists such as Georges Seurat, Vija Celmins, Park Seo-Bo and Jasper Johns, as well as animated films by Amy Kravitz, Ryo Orikasa, Alexandra Ramires and ten other artists, Graphite: Animated Traces offers a richly detailed portrait of an everyday material we often take for granted.
Author’s biography:
Alla Gadassik is a scholar, writer and curator of animation and contemporary media art. She is Associate Professor at Emily Carr University of Art + Design (Vancouver, Canada), where she founded the Animate Materials Workshop. The workshop is dedicated to animation as a method of interdisciplinary material exploration bridging the arts and sciences. As International Curator in Residence at the GovettBrewster Art Gallery | Len Lye Centre (2022–2025), Gadassik developed Interlaced: Animation and Textiles, a large-scale group exhibition that weaves together material and cultural connections between these two art forms.
Price
- Free
Date
- Sat 30 Nov
Time
- 3:00 pm — 4:30 pm
Address
- Govett-Brewster Art Gallery
- 42 Queen Street
- New Plymouth Central
- New Plymouth 4310
Bring your sketchpads for an afternoon of drawing – pencils are provided. With sessions roaming throughout the gallery, explore various graphite tools for mark making.
This drawing session is hosted in conjunction with the launch of Graphite: Animated Traces.
Book synopsis:
Graphite: Animated Traces profiles the material and cultural history of graphite as a creative medium, with close attention to its important role in contemporary art and animation. Animation scholar Alla Gadassik teases out the medium’s temperament and significance by turning to the unfolding and provisional status of the drawn moving image, considering graphite as a medium of emergent thought, contemplation, tender intimacy and impermanence. What ways of knowing does graphite enable as a drawing medium? How does animating with graphite – making moving images through extended and repetitive acts of drawing – allow us to understand the world differently? Responding with vivid analysis of pencil drawings by celebrated artists such as Georges Seurat, Vija Celmins, Park Seo-Bo and Jasper Johns, as well as animated films by Amy Kravitz, Ryo Orikasa, Alexandra Ramires and ten other artists, Graphite: Animated Traces offers a richly detailed portrait of an everyday material we often take for granted.
Author’s biography:
Alla Gadassik is a scholar, writer and curator of animation and contemporary media art. She is Associate Professor at Emily Carr University of Art + Design (Vancouver, Canada), where she founded the Animate Materials Workshop. The workshop is dedicated to animation as a method of interdisciplinary material exploration bridging the arts and sciences. As International Curator in Residence at the GovettBrewster Art Gallery | Len Lye Centre (2022–2025), Gadassik developed Interlaced: Animation and Textiles, a large-scale group exhibition that weaves together material and cultural connections between these two art forms.
