
Sione Monū, Flora, Canberra family portraits, 2014. Courtesy of the artist and Robert Heald Gallery. Photo by Peter Wing
Photo Credit
Sione Monū, Flora, Canberra family portraits, 2014. Courtesy of the artist and Robert Heald Gallery. Photo by Peter Wing
Photo Credit
Enjoy a drop-in kahoa making workshop using real flowers, as a way to ponder the ideas of intangible inheritance explored in He momo, nā te whanau—it’s a family trait: The 2nd Aotearoa Contemporary Jewellery Triennial.
Working with extended family in Tonga and Tāmaki Makaurau as their subject matter and inspiration; Sione explores how adornment can reflect the connections between people and their social, cultural and spiritual environments.
Everything you need will be provided; all skill-levels welcome!
About Sione Monū:
Sione Monū (they/them) is an artist of the Tongan diaspora. They live between Canberra Australia and Auckland and work across the mediums of photography, moving-image, fashion, adornment, performance and drawing to explore identity, family and Pasifika queer experience in the diaspora. Their recent exhibitions include Stories, City Gallery Wellington (2023); The way we were, Robert Heald, Wellington (2023); Queer encounters, Art gallery of NSW, Sydney (2022); Kindred: A Leitī Chronicle (w/ Manu Vaeatangitau), Auckland Art Gallery Toi o Tāmaki (2021); ’Ao Kakala, Ōtautahi, SCAPE Public Art Season , Christchurch (2021 )and Leitī, Perth Institute of Contemporary Arts (2021)
Enjoy a drop-in kahoa making workshop using real flowers, as a way to ponder the ideas of intangible inheritance explored in He momo, nā te whanau—it’s a family trait: The 2nd Aotearoa Contemporary Jewellery Triennial.
Working with extended family in Tonga and Tāmaki Makaurau as their subject matter and inspiration; Sione explores how adornment can reflect the connections between people and their social, cultural and spiritual environments.
Everything you need will be provided; all skill-levels welcome!
About Sione Monū:
Sione Monū (they/them) is an artist of the Tongan diaspora. They live between Canberra Australia and Auckland and work across the mediums of photography, moving-image, fashion, adornment, performance and drawing to explore identity, family and Pasifika queer experience in the diaspora. Their recent exhibitions include Stories, City Gallery Wellington (2023); The way we were, Robert Heald, Wellington (2023); Queer encounters, Art gallery of NSW, Sydney (2022); Kindred: A Leitī Chronicle (w/ Manu Vaeatangitau), Auckland Art Gallery Toi o Tāmaki (2021); ’Ao Kakala, Ōtautahi, SCAPE Public Art Season , Christchurch (2021 )and Leitī, Perth Institute of Contemporary Arts (2021)