Sybil Andrews Racing 1934. Linocut. Collection of Christchurch Art Gallery Te Puna o Waiwhetū, gift of Rex Nan Kivell, 1953. © Estate of Sybil Andrews, Glenbow, Calgary, Alberta
Photo Credit
Sybil Andrews Racing 1934. Linocut. Collection of Christchurch Art Gallery Te Puna o Waiwhetū, gift of Rex Nan Kivell, 1953. © Estate of Sybil Andrews, Glenbow, Calgary, Alberta
Photo Credit
Curator Peter Vangioni marks the opening of the new printmaking exhibition, One O’Clock Jump: British Linocuts from the Jazz Age with an illustrated talk on the emergence of the linocut in England during the 1920s.
A new medium for a new modern era, the linocut was embraced by British artists who revelled in its simplicity to create some of the most extraordinary prints of the 20th century.
Curator Peter Vangioni marks the opening of the new printmaking exhibition, One O’Clock Jump: British Linocuts from the Jazz Age with an illustrated talk on the emergence of the linocut in England during the 1920s.
A new medium for a new modern era, the linocut was embraced by British artists who revelled in its simplicity to create some of the most extraordinary prints of the 20th century.