Image: Nikki Lam and Phuong Ngo. Courtesy of Hyphenated Projects.
Photo Credit
Event Details
artspace-aotearoa.nzQuestion time: A lecture by Hyphenate Projects
Hear international guests Nikki Lam and Phuong Ngo of Hyphenated Projects introduce their work as curators and arts organisers through the lens of the Artspace Aotearoa 2024 annual question “do I need territory?” Hyphenated Projects is a Naarm Melbourne based artist-led network nurturing practice in Asian diasporas. Their work focuses on supporting artists who operate with the hyphens—culturally, socially and geographically.
This kaupapa is presented in association with the Satellites’ visiting artists programme.
The lecture will be followed by a Q&A.
Booking is encouraged but not essential. RSVP Here
WHAT TO EXPECT
This event is free.
This event will be held in the Kit, which can be accessed by the main gallery entrance or alternatively by our car park on 8 East St for assisted access.
This location is accessible with assistance.
This event will be seated and microphones will be used.
Light refreshments will be provided.
BIOGRAPHIES
Nikki Lam is an artist-curator and filmmaker based in Naarm Melbourne. Working primarily with moving images and text, her work explores memory through contemplation on time, spaces and impermanence. With an expanded practice, she is currently co-director of Hyphenated Biennial and Hyphenated Projects, an artist-led network that nurtures practice in Asian diasporas. She also co-runs Slow Burn Books, a bookshop that circulates independent art publications across Asia-Pacific. Nikki is a PhD candidate at RMIT University.
Phuong Ngo is an artist and curator living and working in Naarm/Melbourne. He is co-director of Hyphenated Projects, Chair of un Projects, a member of the Substation curatorium and holds a PhD from RMIT University. His practice is concerned with the interpretation of history, memory and place, and how it impacts individual and collective identity. Through an archival process rooted in a conceptual practice, he seeks to find linkages between culture, politics and oral histories and historic events.
Price
- Free
Date
- Wed 13 Nov
Time
- 6:00 pm
Main Gallery Entrance
- The Kit
- 292 Karangahape Road
- Tāmaki Makaurau Auckland
Question time: A lecture by Hyphenate Projects
Hear international guests Nikki Lam and Phuong Ngo of Hyphenated Projects introduce their work as curators and arts organisers through the lens of the Artspace Aotearoa 2024 annual question “do I need territory?” Hyphenated Projects is a Naarm Melbourne based artist-led network nurturing practice in Asian diasporas. Their work focuses on supporting artists who operate with the hyphens—culturally, socially and geographically.
This kaupapa is presented in association with the Satellites’ visiting artists programme.
The lecture will be followed by a Q&A.
Booking is encouraged but not essential. RSVP Here
WHAT TO EXPECT
This event is free.
This event will be held in the Kit, which can be accessed by the main gallery entrance or alternatively by our car park on 8 East St for assisted access.
This location is accessible with assistance.
This event will be seated and microphones will be used.
Light refreshments will be provided.
BIOGRAPHIES
Nikki Lam is an artist-curator and filmmaker based in Naarm Melbourne. Working primarily with moving images and text, her work explores memory through contemplation on time, spaces and impermanence. With an expanded practice, she is currently co-director of Hyphenated Biennial and Hyphenated Projects, an artist-led network that nurtures practice in Asian diasporas. She also co-runs Slow Burn Books, a bookshop that circulates independent art publications across Asia-Pacific. Nikki is a PhD candidate at RMIT University.
Phuong Ngo is an artist and curator living and working in Naarm/Melbourne. He is co-director of Hyphenated Projects, Chair of un Projects, a member of the Substation curatorium and holds a PhD from RMIT University. His practice is concerned with the interpretation of history, memory and place, and how it impacts individual and collective identity. Through an archival process rooted in a conceptual practice, he seeks to find linkages between culture, politics and oral histories and historic events.
