Khadim Ali, Untitled 1, 2021. Hand and machine embroidery, fabric / 8000 x 3090mm. Courtesy of the artist and Milani Gallery, Brisbane
Photo Credit
Khadim Ali, Untitled 1, 2021. Hand and machine embroidery, fabric / 8000 x 3090mm. Courtesy of the artist and Milani Gallery, Brisbane
Photo Credit
Join us for a tactile and audio-described tour of our current exhibition There is no other home but this.
There Is No Other Home But This surveys the practices of two artists whose work is a space to celebrate and explore contemporary life as it connects to ancient cultures and beliefs.
Comprising of new textiles, embroideries, animation and other media, the exhibition is rich in associations with the beauty and drama of literature and history from ancient Persia, and explores their Parsi and Hazara ancestry through the eyes of the artists today.
Ali’s collaborative, large scale textiles made with women in Afghanistan combine the contemporary experiences of life in that country with his perspective on displacement in painted, sewn and moving images. These sit tellingly alongside Katki’s more sensuous embroidered references to family memories, domesticity and sexuality, and enduring fragments of Zoroastrianism and Persia, elevating distinct cultural presences in our society.
Join us for a tactile and audio-described tour of our current exhibition There is no other home but this.
There Is No Other Home But This surveys the practices of two artists whose work is a space to celebrate and explore contemporary life as it connects to ancient cultures and beliefs.
Comprising of new textiles, embroideries, animation and other media, the exhibition is rich in associations with the beauty and drama of literature and history from ancient Persia, and explores their Parsi and Hazara ancestry through the eyes of the artists today.
Ali’s collaborative, large scale textiles made with women in Afghanistan combine the contemporary experiences of life in that country with his perspective on displacement in painted, sewn and moving images. These sit tellingly alongside Katki’s more sensuous embroidered references to family memories, domesticity and sexuality, and enduring fragments of Zoroastrianism and Persia, elevating distinct cultural presences in our society.