
Susan Philipsz, War Damaged Musical Instruments, 2015, 14-channel sound installation, Duveen Galleries, Tate Britain, London, 2015. Photo: Julian Abrams
Photo Credit
Susan Philipsz, War Damaged Musical Instruments, 2015, 14-channel sound installation, Duveen Galleries, Tate Britain, London, 2015. Photo: Julian Abrams
Photo Credit
Berlin-based artist Susan Philipsz gives an overview of her practice in the context of her new installation at Adam Art Gallery, 'White Flood'. The Turner Prize-winning artist has exhibited widely, producing evocative sound works for unusual locations—for example, under a bridge, in an abandoned train station—and for major museums such as the Museum of Modern Art in New York and London’s Tate Modern.
This event is in association with the exhibition 'Passages: Luke Fowler, Florian Hecker, Susan Philipsz' Curated by Stephen Cleland, on view 16 February - 21 April 2019.
Berlin-based artist Susan Philipsz gives an overview of her practice in the context of her new installation at Adam Art Gallery, 'White Flood'. The Turner Prize-winning artist has exhibited widely, producing evocative sound works for unusual locations—for example, under a bridge, in an abandoned train station—and for major museums such as the Museum of Modern Art in New York and London’s Tate Modern.
This event is in association with the exhibition 'Passages: Luke Fowler, Florian Hecker, Susan Philipsz' Curated by Stephen Cleland, on view 16 February - 21 April 2019.