![]( https://artnow-latch.imgix.net/Img-1.jpg?auto=compress%2Cformat&dm=1662021824&fit=crop&ixlib=php-3.1.0&jpegQuality=100&position=center-center&ratio=1.5&step=100&width=
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Simon Denny and Karamia Muller, Creation Story Cable Harness 3, 2022. Courtesy of the artists and Michael Lett. Installation view. Photography by Sam Hartnett.
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Buck Nin, Putahi Incandescent, 1968. Courtesy of Waikato Museum Te Whare Taonga o Waikato. Installation view. Photography by Sam Hartnett.
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![]( https://artnow-latch.imgix.net/Img-3.jpg?auto=compress%2Cformat&dm=1662021835&fit=crop&ixlib=php-3.1.0&jpegQuality=100&position=center-center&ratio=1.5&step=100&width=
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Simon Denny and Karamia Muller, Creation Story Cable Harness 1, 2022. Courtesy of the artists and Michael Lett. Installation view. Photography by Sam Hartnett.
Photo Credit
![]( https://artnow-latch.imgix.net/Img-7.jpg?auto=compress%2Cformat&dm=1662021841&fit=crop&ixlib=php-3.1.0&jpegQuality=100&position=center-center&ratio=1.5&step=100&width=
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Leah Jaynes Karp, The Numbers are Growing, Aa Bb Cc Flowers, Reward for Information-Victim Eulogized Yesterday, and Another Name Gentle Asphyxiation, 1982. Courtesy of the artist and The High Museum, Atlanta; Gift of Lucinda Bunnen for the Bunnen Collection. Installation view. Photography by Sam Hartnett.
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![]( https://artnow-latch.imgix.net/Img-6.jpg?auto=compress%2Cformat&dm=1662021849&fit=crop&ixlib=php-3.1.0&jpegQuality=100&position=center-center&ratio=1.5&step=100&width=
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Simon Denny and Karamia Muller, Creation Story Cable Harness 2 (detail), 2022. Courtesy of the artists and Michael Lett. Installation view. Photography by Sam Hartnett.
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![]( https://artnow-latch.imgix.net/Leah-Jaynes-Karp.jpg?auto=compress%2Cformat&dm=1655945136&fit=crop&ixlib=php-3.1.0&jpegQuality=100&position=center-center&ratio=1.5&step=100&width=
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Leah Jaynes Karp, “The Numbers are Growing”, 1982, Gift of Lucinda W. Bunnen for the Bunnen Collection. Collection of the High Museum of Art, Atlanta
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