Artists
- Turumeke Harrington
- Yolunda Hickman
- Sonya Lacey
- Rozana Lee
- Grant Lingard
- Vivian Lynn
- Allan McDonald
- Emma McIntyre
- Next Spring
- Layla Rudneva-Mackay
- Richard Shepherd
- James Tapsell-Kururangi
Crossings features works by Turumeke Harrington, Yolunda Hickman, Sonya Lacey, Rozana Lee, Grant Lingard, Vivian Lynn, Allan McDonald, Emma McIntyre, Next Spring, Layla Rudneva-Mackay, Richard Shepherd and James Tapsell-Kururangi and is curated by Christina Barton, Millie Riddell and Sophie Thorn.
This is not a show about the pandemic. It is a gathering of works brought together in the wake of that moment, works that embody and contend with the polarities that were awakened, but which have always existed: inside and outside, closeness and distance. The works gathered range from meditations on public and private spaces and our movements between them; on the body in states of illness, pain, pleasure, reproduction and death; on mobility and change in the face of political and economic turmoil, and on the inevitable impact of an unseen threat that has changed everything. We ask: how can these intimate experiences, fraught relationships, larger forces and their attendant effects be communicated in an art work?
Opening Hours
- Tuesday - Sunday 11am - 5pm
Address
- Victoria University of Wellington
- Gate 3, Kelburn Parade
- Te Whanganui-a-Tara, Wellington, 6012
Crossings features works by Turumeke Harrington, Yolunda Hickman, Sonya Lacey, Rozana Lee, Grant Lingard, Vivian Lynn, Allan McDonald, Emma McIntyre, Next Spring, Layla Rudneva-Mackay, Richard Shepherd and James Tapsell-Kururangi and is curated by Christina Barton, Millie Riddell and Sophie Thorn.
This is not a show about the pandemic. It is a gathering of works brought together in the wake of that moment, works that embody and contend with the polarities that were awakened, but which have always existed: inside and outside, closeness and distance. The works gathered range from meditations on public and private spaces and our movements between them; on the body in states of illness, pain, pleasure, reproduction and death; on mobility and change in the face of political and economic turmoil, and on the inevitable impact of an unseen threat that has changed everything. We ask: how can these intimate experiences, fraught relationships, larger forces and their attendant effects be communicated in an art work?
