Podocarpus totara, Tōtara, (detail) c.1480, felled 1906, collection of the School of Biological Sciences, Te Herenga Waka—Victoria University of Wellington.
Photo Credit
Podocarpus totara, Tōtara, (detail) c.1480, felled 1906, collection of the School of Biological Sciences, Te Herenga Waka—Victoria University of Wellington.
Photo Credit
Folded Memory asks what we might learn from the physical evidence of time within the folded rings of a tree and invites audiences to imagine the gallery as a forest in which new histories can be made.
Folded Memory begins with a tree. A cross-section of a Tōtara to be precise. He Tōtara Rangatira sprouted as a sapling sometime around the year 1481. He Tōtara was felled in 1906 in Taihape. It was brought to Te Herenga Waka, where it was used to tell new stories. A colonial history was placed along its rings tracing from Columbus to Cook. Folded Memory reimagines the narratives held deep within the rings of he Tōtara.
A group show of 16 artists and collaborations, including moving image, painting, sculpture, sound and temporary installation, the exhibition draws on Nga Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection alongside key loaned items. Folded Memory is part of an ongoing collaboration between curators Susan Ballard and Sophie Thorn, narrating a new environmental art history of Aotearoa.
Folded Memory asks what we might learn from the physical evidence of time within the folded rings of a tree and invites audiences to imagine the gallery as a forest in which new histories can be made.
Folded Memory begins with a tree. A cross-section of a Tōtara to be precise. He Tōtara Rangatira sprouted as a sapling sometime around the year 1481. He Tōtara was felled in 1906 in Taihape. It was brought to Te Herenga Waka, where it was used to tell new stories. A colonial history was placed along its rings tracing from Columbus to Cook. Folded Memory reimagines the narratives held deep within the rings of he Tōtara.
A group show of 16 artists and collaborations, including moving image, painting, sculpture, sound and temporary installation, the exhibition draws on Nga Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection alongside key loaned items. Folded Memory is part of an ongoing collaboration between curators Susan Ballard and Sophie Thorn, narrating a new environmental art history of Aotearoa.