Maioha Kara, 'Kura', 2024. Birch, stain, glitter. Photo: Courtesy of Laree Payne Gallery.
Photo Credit
Remember Industry: Tracy Keith, 2024, installation view at Te Whare Toi o Heretaunga Hastings Art Gallery.
Photo Credit
Maioha Kara, 'Kura', 2024. Birch, stain, glitter. Photo: Courtesy of Laree Payne Gallery.
Photo Credit
Remember Industry: Tracy Keith, 2024, installation view at Te Whare Toi o Heretaunga Hastings Art Gallery.
Photo Credit
Maioha Kara (Ngāti Korokī Kahukura, Ngāti Tipa, Te Ātihaunui-A-Papārangi, Tūhourangi, Te Whānau a Hinetapora, Kuki Airani) is deeply interested in the interconnectedness of all things. In this exhibition of new and existing works, Kara uses whakapapa as a lens to reveal the connections between people, te taiao, and the very beginnings of creation.
Kara’s work taps into a vast archive of geometries, forms and materials that trace these connections. Referencing her father’s artistic practice, as well as Māori and Kuki Airani art forms (such as whakairo rākau, raranga, tukutuku, kōwhaiwhai and tīvaevae), Kara excavates patterns into timber forms. Her choice of materials further explores the ripples of whakapapa. Native timbers echo our connection to the natural world while coloured glitter embodies the concept of iraira (to shine), the energy of light and the mauri of all things.
Playing with the configurations between pattern, materials and form, Kara creates vast maps of whakapapa that place us within a rich tapestry of connections with each other, nature and the cosmos.
Maioha Kara (Ngāti Korokī Kahukura, Ngāti Tipa, Te Ātihaunui-A-Papārangi, Tūhourangi, Te Whānau a Hinetapora, Kuki Airani) is deeply interested in the interconnectedness of all things. In this exhibition of new and existing works, Kara uses whakapapa as a lens to reveal the connections between people, te taiao, and the very beginnings of creation.
Kara’s work taps into a vast archive of geometries, forms and materials that trace these connections. Referencing her father’s artistic practice, as well as Māori and Kuki Airani art forms (such as whakairo rākau, raranga, tukutuku, kōwhaiwhai and tīvaevae), Kara excavates patterns into timber forms. Her choice of materials further explores the ripples of whakapapa. Native timbers echo our connection to the natural world while coloured glitter embodies the concept of iraira (to shine), the energy of light and the mauri of all things.
Playing with the configurations between pattern, materials and form, Kara creates vast maps of whakapapa that place us within a rich tapestry of connections with each other, nature and the cosmos.