Project 100 is thrilled to present Thomas Baker for our inaugural exhibition. Lite cracks gleaming bricks is a continued look into motion, standards, and things that shouldn't.
Thomas is nationally known for his work with clay, with his creations often being a dialogue between the tactile and the transcendent—where the interplay of impact and gravity reveals the poetry in imperfection. After spending some time training under Seppo Iida Sensei in Kanazawa, Japan, Thomas's work embodies the meticulous precision of traditional Japanese forms and techniques. Yet, somewhere sitting slumped on the edge of function and failure, he seeks to capture tension through the organic shapes born from impact. By embracing techniques that involve throwing, pushing, and dropping, he allows movement itself to shape the clay, striving to strip away the presence of the maker's hand. The result is a raw exposure of force and motion, amplifying the softness of the clay, seemingly mid-motion.
Thomas is also the co-founder of ceramic studio Kiln where he currently tutors and practices, and is a creative director for Nelson Clay Week.
Project 100 is thrilled to present Thomas Baker for our inaugural exhibition. Lite cracks gleaming bricks is a continued look into motion, standards, and things that shouldn't.
Thomas is nationally known for his work with clay, with his creations often being a dialogue between the tactile and the transcendent—where the interplay of impact and gravity reveals the poetry in imperfection. After spending some time training under Seppo Iida Sensei in Kanazawa, Japan, Thomas's work embodies the meticulous precision of traditional Japanese forms and techniques. Yet, somewhere sitting slumped on the edge of function and failure, he seeks to capture tension through the organic shapes born from impact. By embracing techniques that involve throwing, pushing, and dropping, he allows movement itself to shape the clay, striving to strip away the presence of the maker's hand. The result is a raw exposure of force and motion, amplifying the softness of the clay, seemingly mid-motion.
Thomas is also the co-founder of ceramic studio Kiln where he currently tutors and practices, and is a creative director for Nelson Clay Week.