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Marie Le Lievre, 'Loot isms' Installation view. Photo Sam Hartnett
Photo Credit
Marie Le Lievre, 'Loot isms' Installation view. Photo Sam Hartnett
Photo Credit
Marie Le Lievre’s paintings are perceptual interlocutors. They are spirited entities that participate in shaping and mediating our sensory experiences. Le Lievre works within self-defined categories and series, each with their own characteristics. Loot isms includes new work from Le Lievre’s House, Stacked, Tomes, and Paraphernalia series, and paintings from the new Loot series. The colours, forms, layers, and textures of each possess distinct identities. A significant part of her work as a painter lies in the experience of working with the medium in a process of discovery, engaging tactility and introspection. For Le Lievre, each painting is a "dialogue between [her] private inscape and the public world." In turn, the paintings engage the viewer in dialogue and evoke a personal connection, inviting us to explore the nature of our perceptions, and encouraging a sense of something greater beyond ourselves, something that might be unknowable. As a perceptual interlocutor, what the painting reveals is between it and the viewer.
Marie Le Lievre’s paintings are perceptual interlocutors. They are spirited entities that participate in shaping and mediating our sensory experiences. Le Lievre works within self-defined categories and series, each with their own characteristics. Loot isms includes new work from Le Lievre’s House, Stacked, Tomes, and Paraphernalia series, and paintings from the new Loot series. The colours, forms, layers, and textures of each possess distinct identities. A significant part of her work as a painter lies in the experience of working with the medium in a process of discovery, engaging tactility and introspection. For Le Lievre, each painting is a "dialogue between [her] private inscape and the public world." In turn, the paintings engage the viewer in dialogue and evoke a personal connection, inviting us to explore the nature of our perceptions, and encouraging a sense of something greater beyond ourselves, something that might be unknowable. As a perceptual interlocutor, what the painting reveals is between it and the viewer.