
Rob McLeod "The Daft Dog Plays with Chaos Theory" 2018, photo courtesy the artist and {Suite}
Photo Credit
Rob McLeod "The Daft Dog Plays with Chaos Theory" 2018, photo courtesy the artist and {Suite}
Photo Credit
Rob McLeod’s garish, sclerotic aesthetic owes much to the sixties' countercultural propensity to shock. Through the distorted cartoon-like imagery, a sense of humour is apparent and remains undimmed since his arrival in Wellington from Scotland forty-five years ago. His hallucinatory and distended physical figurations are painted onto hinged sheets of thin plywood that can sometimes be swivelled to change position.
Rob McLeod’s garish, sclerotic aesthetic owes much to the sixties' countercultural propensity to shock. Through the distorted cartoon-like imagery, a sense of humour is apparent and remains undimmed since his arrival in Wellington from Scotland forty-five years ago. His hallucinatory and distended physical figurations are painted onto hinged sheets of thin plywood that can sometimes be swivelled to change position.