
Toby Raine "Michael Corleone with Cigarette Just After Realising Fredo Has Betrayed Him" 2018, oil on linen, 70 x 60cm. Photo: Ryan McCauley. Image courtesy of Page Blackie Gallery
Photo Credit
Toby Raine "Michael Corleone with Cigarette Just After Realising Fredo Has Betrayed Him" 2018, oil on linen, 70 x 60cm. Photo: Ryan McCauley. Image courtesy of Page Blackie Gallery
Photo Credit
Toby Raine’s ongoing portrait series of infamous or popularised male figures — including Bob Dylan, Aleister Crowley, Ozzy Osbourne, and Elvis Presley – sees the artist examining various notions of masculinity in a tongue-in-cheek tribute. Raine is interested in the performative aspects of painting. Inhabiting his alter-ego Baron Yeti, he often paints according to a specific set of conditions, limiting the number of brushstrokes or working to the rhythms of a particular music track. Raine energetically pushes and scrapes thick impasto paint across the canvas, to the point where colour and form merge and threaten to dissolve or obliterate the figure
Toby Raine’s ongoing portrait series of infamous or popularised male figures — including Bob Dylan, Aleister Crowley, Ozzy Osbourne, and Elvis Presley – sees the artist examining various notions of masculinity in a tongue-in-cheek tribute. Raine is interested in the performative aspects of painting. Inhabiting his alter-ego Baron Yeti, he often paints according to a specific set of conditions, limiting the number of brushstrokes or working to the rhythms of a particular music track. Raine energetically pushes and scrapes thick impasto paint across the canvas, to the point where colour and form merge and threaten to dissolve or obliterate the figure