'The Founder’s Paradox' uses gaming to reflect on competing political visions for New Zealand’s future.
Berlin-based New Zealand artist Simon Denny uses the visual language of board games to reflect on new mythologies of the entrepreneurial founder as well as the changing role of the nation state in a time of political uncertainty. Denny’s sculptures, prints and paintings collapse together fantasy imagery with expansionist ambition – an uneasy polemic which has long had particular resonance in the South Island of New Zealand, which is increasingly being looked to as a bolt-hole for Silicon Valley entrepreneurs. In an increasingly fractured and fractious world, the neoliberal status quo in New Zealand and further afield is beginning to be questioned at both ends of the political spectrum. Denny’s work reflects on competing political visions for New Zealand’s future within a volatile social climate destabilised by new technologies.
Simon Denny is represented in New Zealand by Michael Lett (Auckland).
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'The Founder’s Paradox' uses gaming to reflect on competing political visions for New Zealand’s future.
Berlin-based New Zealand artist Simon Denny uses the visual language of board games to reflect on new mythologies of the entrepreneurial founder as well as the changing role of the nation state in a time of political uncertainty. Denny’s sculptures, prints and paintings collapse together fantasy imagery with expansionist ambition – an uneasy polemic which has long had particular resonance in the South Island of New Zealand, which is increasingly being looked to as a bolt-hole for Silicon Valley entrepreneurs. In an increasingly fractured and fractious world, the neoliberal status quo in New Zealand and further afield is beginning to be questioned at both ends of the political spectrum. Denny’s work reflects on competing political visions for New Zealand’s future within a volatile social climate destabilised by new technologies.
Simon Denny is represented in New Zealand by Michael Lett (Auckland).
