Matthew Galloway named finalist for 2024 Circa Prize & 2025 McCahon House Parehuia Artist-in-Residence
2024 Circa Prize
Matthew Galloway (Aotearoa New Zealand), and collaborator Mohamed Sleiman Labat (Sahrawi / Algeria), have been named finalists for the prestigious London-based 2024 Circa Prize, for their collaboration Empty Vessels (2023-24).
Now in its fourth consecutive year, the International Circa Prize aims to discover, platform and champion the future visionaries who are shaping our world for the better. From 1–30 September 2024, each finalist will have their work appear at 20:24 BST on London’s iconic Piccadilly Lights, whilst simultaneously broadcasting across a global network of screens in Berlin and Milan.
A prestigious jury, featuring past CIRCA artists and long-time collaborators including Marina Abramović, Lisa Anderson, Nicoletta Fiorucci, Michèle Lamy, Hans Ulrich Obrist, Josef O’Connor, Kembra Pfahler, Sir Norman Rosenthal, Slawn, Nadya Tolokonnikova and Ai Weiwei, will come together to select the winner of the £30,000 CIRCA PRIZE. Plus, an online public vote, powered by Piccadilly Lights, will grant an additional £10,000 to the artist with the most votes. That's £40,000 in total up for grabs!
Matthew and Mohamed’s work will be screening this Sunday 8th September on Piccadilly Lights at 8:24PM BMT (7:24AM Monday 9th September NZT).
Watch the work and vote for their film to win HERE (Voting closes Midnight BMT on 30 September 2024)
Empty Vessels is a dialogue between Sahrawi Western Saharan artist Mohamed Sleiman Labat and Aotearoa New Zealand artist Matthew Galloway. The two, who have had an ongoing correspondence since meeting in 2016, present a collaborative work focusing on Aotearoa’s reliance on phosphate rock from Western Sahara. The work traces the movement of phosphate-carrying ships from Western Sahara to New Zealand, raising questions about the country’s reliance on a resource tied to the displacement of the Sahrawi people. Phosphate is mineral rock used to make fertiliser, partly fuelling Aotearoa’s high-performing agricultural industry. However, the resource is controlled by Morocco’s violent occupation of the region, which has displaced the Sahrawi people from their land.
Matthew Galloway is represented in Aotearoa New Zealand by Sumer.
2025 McCahon House Parehuia Artist-in-Residence
Matthew Galloway, alongside Rowan Panther and Sefton Rani, has also been announced as one of McCahon House’s 2025 Parehuia artists-in-residence.
Parehuia has become one of the most esteemed residencies in Aotearoa New Zealand with over 50 residencies awarded since 2006. Three residencies a year, each of three months duration, provide dedicated space and time for artists to develop their practice and engage with fellow artists, industry professionals and audiences.
Whilst in residence at Parehuia, Matthew intends to dedicate time to develop new threads of two ongoing projects and create a new moving image work. The residency will afford him access to specific research material and manufacturing techniques only available in Tāmaki Makaurau—specifically for producing digital tapestry works related to his data sovereignty research.
About Matthew:
Born in Ōtautahi Christchurch, Matthew Galloway currently lives and works in Te Whanganui-a-Tara Wellington. He is a current doctoral candidate at Elam School of Fine Arts, and holds an MFA from Ilam School of Fine Arts (2012). He has shown widely at many leading contemporary art institutions around Aotearoa. His work has been included in a number of significant international exhibitions in Latin America and Europe.
Galloway presents a mode of art making that can be best described as documentarian and historiographic. Working both within and beyond of the confines of the gallery, his work is broadly interdisciplinary, and strongly informed by his background in design. Past works include sculpture, installation, film, wall drawings, image and text, artist books and publishing.